Ran HaCohen, Israel, a New Decade: Antiwar
By Ran HaCohen, Antiwar.com – 10 April 2010
I turn on the television just before dinner. Prime-time. An Israeli series: “The Pilots’ Wives” (“Meet the Women behind Our Heroes”, said the promo), interrupted occasionally by a commercial depicting a soldier missing his mother’s soup (“disclaimer: the actor is not a soldier”). After the series, a short public service broadcast showing a group of young men, each in turn boasting his military service, until they notice one of them – a violent zoom-in – keeps quiet; the message is clear. Then the news, with at least one public relations item pushed by the military: “teen-age girls eager to become fighters”, “a remote-control watch-and-shoot system on the Gaza fence”, “a unique glimpse into a top-secret air-force base” or the like. Not to mention the real news, be it about the Palestinian territories, Lebanon, Iran, or even the billions of terrorists disguised as miserable African refugees allegedly waiting on the Egyptian border to inundate Israel: all these issues, and many more, are predominantly managed and framed by the military.
The military service has been made a major issue in Israeli public discourse. Not that the army is short of soldiers: on the contrary, the number of recruits requesting “to serve their country” in combat units is at record level. Nevertheless, uniting the nation around the military as the ultimate good is a goal in itself, especially when it implicitly excludes the Israeli-Palestinians, who are not conscripted. Thus the stage and screen actor Itay Tiran was removed from Israel’s official propaganda website when someone noticed he had not served; And, following the Zeitgeist, “national left-wing” playwright Shmuel Hasfari said he would refuse to work with Tiran “just like with any murderer or rapist.”
Most Israeli artists are careful not to express themselves critically about Israel’s policies, definitely not to say a word against the country’s deep militarism and racism; Scander Kobti, co-director of Ajami, nominated for an Academy Award in Best Foreign Language Film, caused a scandal just for saying he didn’t “represent Israel” in Hollywood (“I cannot represent a state that doesn’t represent me”, the Israeli-Palestinian claimed) – even that is more than the selectively sensitive Israeli ear can bear. Every Israeli is expected to be an ambassador abroad – no wonder that in a highly popular Israeli reality show just a few years ago, candidates competed on who would best represent Israeli propaganda abroad (a former Israeli army spokesman was among the judges). Remember it next time you talk to an Israeli: especially outside Israel, you might hear not the truth, but the official state propaganda. Though many Israelis sincerely believe the two are identical.
The deep racism of the Israeli psyche is on the rise. The 1990s, at least in hindsight, marked some liberalization of the public discourse; the first decade of this century crushed it, and now the mildly critical, left-liberal discourse hardly exists in the mainstream. No wonder the liberal left has just 3 seats out of 120 in the Knesset; all the other parties are various shades of right-wing, far right, or fascism (except the small outcast “Arab” parties). The racist mindset can be observed in the most trivial daily situations, like my elderly neighbor, when told I saw someone peeping at my window the other night, instinctively reacting with a single question: “Have you seen whether it was a Jew or an Arab?”
Ever more often, when I mention the Netherlands, I am told that all the Dutch were anti-Semitic and collaborated with the Nazis; my already ritualized reaction – that my grandparents and my mother owe their lives to Dutch Christians who risked their own lives to save them – is met with a shrug, expressing something like “don’t challenge my precious prejudice” or “don’t be so naïve, we all know everybody hates us.” And this is not just the case of Holland: from Sweden to Ethiopia, from Turkey to Argentina, no matter how Jewish-friendly (and Israel-friendly) a nation has been historically, Israelis are encouraged to view all non-Jews (“Goyim” is the pejorative term used uncritically by most Hebrew speakers) as inherently anti-Semitic and therefore anti-Israeli. Every criticism of Israel’s policy is automatically dismissed as yet another incarnation of an endemic, incurable hatred of Jews. Just like anti-communism was the national religion of the USA during the Cold War, the fanatic belief in an eternal world-wide anti-Semitic conspiracy is the true national cult of Israel. The voices portraying even President Obama as anti-Semitic are just one undertone in an ear-deafening choir of incitement against every dissenting voice, within or without.
The younger generation knows little else. How could it? As the Jerusalem Prof. Nurit Peled-Elhanan shows, Israeli schoolbooks – their text, maps, and pictures – are inherently racist, especially against Arabs; but whereas the racism was sophisticatedly disguised in the 1990s schoolbooks, in the last decade it’s overt and explicit. Arabs are consistently represented as primitive, threatening, and untrustworthy; the Palestinian narrative is either distorted and denied, or simply ignored. The Occupation, says Peled-Elhanan, is never mentioned, the Green Line does not exist; many Israelis no longer know what it means, let alone where it is.
Even the language retreats: if the term “occupied territories” sounded rather neutral just a few years ago, when even Ariel Sharon used the term “occupation”, now the sickening euphemism “liberated territories” has made a comeback. At the same time, hypocrisy and double-standards are cultivated: right-wing parties outside Israel are regularly termed “extremist”, “xenophobic” or “racist”, terms never applied to much more extreme Israeli parties. Official Israel is shocked and outraged by naming a street in Ramallah after a Palestinian terrorist Ayyash (assassinated by Israel in 1996); At the same time, the Israeli far-right leader Ze’evi (assassinated by Palestinians in 2001), whose main political platform was ethnic cleansing (“transfer”) of all Palestinians, has several streets, three promenades, two settlements, a highway, a bridge, and an army base named after him, and a law to commemorate him and even educate future generations with his “legacy.”
Is It Too Late?
This is the present atmosphere in Israel – one of a rising, violent nationalist self-righteousness, especially among the younger generation. A recent poll shows that while 35% of Israelis over the age of 30 said they would vote for right-wing parties, this number almost doubled for youths up to the age of 29, and stood at 61%.
Does this mean there is no chance for peace? A difficult question. Despite all of the above, polls also show 60% support among the general public for removing the majority of settlements. As always, this 60% majority of Israeli Jews overwhelmingly believes it is a minority – only a third of respondents said such an evacuation had the support of the Israeli majority. This last figure – the majority being persuaded it is actually a minority – is one of the greatest achievements of the official Israeli brain-wash, and has been consistent for many years.
One can therefore understand Zeev Sternhell’s call on Obama’s Washington to implement an imposed solution: “Were Israeli society prepared to pay the price for peace, its government would not be fanning the flames of conflict […] The conclusion is that […] the only solution is an imposed one”, writes the prominent Israeli political scientist. This is no rosy scenario either, needless to say. In clear imitation of Nazi calls to try the German politicians who signed the “humiliating” Treaty of Versailles (1919), the Israeli right-wing has already demanded to “put Oslo criminals on trial” for signing the Oslo Accords. One can recall European history and imagine how Israeli fascists would react to an “imposed peace.” Luckily, they are just a minority; but given the current atmosphere in Israel, as well as the demographic advantage of the right-wing (Orthodox Jews have much more children), it might not remain a minority for long. Time, if there still is any, is running out.
EDITOR: Another success for the BDS camp!
Gil Scott-Heron has at last joined those who boycott Israel, and refuses to go and sing there. He joins tens of committed artists, who, unlike Paul McCartney and Leonard Cohen, have chosen to takea moral, political stand on Israel and its barbaric occupation of Palestine.
Gil Scott-Heron boycotts Tel Aviv, sends powerful message to Israelis: The Only Democracy?
April 30th, 2010, by Jesse Bacon
By Noam Sheizaf
This is a translation of my article regarding the cancellation of spoken words artist Gil-Scott Heron’s gig in Tel Aviv. His show was scheduled for late May, but it was later removed from Scot-Heron’s site and though there was no official statement yet, it seems to have been canceled for political reasons.
The original Hebrew version of the article was posted Wednesday on the web magazine The Other.
A small commotion erupted this week among the public that appreciates black music in Israel upon learning that ground-breaking artist, poet and musician, Gil Scott-Heron apparently canceled his Tel Aviv show for political reasons. There was no official statement; However, following protests of some of his pro-Palestinian fans during a show in London on the weekend, Scott-Heron announced from the stage that he would not be coming to Israel. The show, planed for May 25, was removed from the line up on his site.
Scott-Heron is a political man. He came out against US presidents, preached against nuclear energy, and asked the new generation of Hip-Hop artists to write meaningful lyrics rather than merely attach words to music. His most famous piece, “The Revolution Will Not Be Televised,” is considered the anthem of alternative culture. I assume these and similar reasons made Scott-Heron appeal to a couple of hundred Israelis. The only surprise is their ability to make a U-turn the moment that protest was directed at us.
In the last few days, Israelis who awaited the show in Tel Aviv filled Scott Heron’s website and Facebook pages dedicated to the issue with angry comments. The arguments were of the type common to such occurrences: one shouldn’t mix music and politics (”music brings people together; politics pulls them apart”); one must distinguish between the government of Israel and the citizens; it is hypocrisy and double standards to boycott Israel when there are so many more horrible governments and deadlier regimes in the world.
But beyond the usual arguments, an offended tone sneaked in: “Why should we, music lovers, who love GSH also because of the place we live in, should be blamed for the occupation or apartheid?” writes one Israeli on Facebook, and added elsewhere, “to cancel the show, it is to spit in the face of the leftists in the crowd.”
“In Israel there is a true music scene,” comments another Israeli on Scott Heron’s site. “For me, music represents peace and love, not war and hate. If you come to Israel you will see it with your own eyes”. Avi Pitshon wrote in Haaretz in relation to a similar incident, in which a few Israelis joined a call to the Pixies and Metallica to skip playing in Israel, “the radical left cannot hurt the powerful, those who shape policy, and is therefore trying to hit whoever is under the spotlight: music loving citizens.”
It seems that what hurts Pitshon and the other Israelis most is not the anti-Israeli stance of Scott Heron and others like him, but the choice to specifically boycott them, the public who is for peace, loves Soul and Hip-Hop, and sees itself more in touch with Detroit and Chicago than the Tomb of Rachel and Elkana. After all, the voice of these embittered music lovers didn’t rise when a pretty effective boycott was organized in the EU against produce from the settlements: the settlers are the bad guys in this story. But to boycott us, us who took part in three Peace Now demonstrations and two events commemorating Rabin? What is the world coming to?
The Israeli left (and yours truly included) is deeply longing to be part of some global communion. People here imagine themselves through American culture, Italian cuisine and French novels, as if we were born to a bourgeois family on Paris’ Left Bank and our life project is to confront the feelings of alienation inherent in human existence. Tel Aviv and its suburbs are arranged with their face towards the West and a wall separating their back from all the turmoil in the East: the settlers in the territories, the Ultra-Orthodox in Jerusalem, and also these Palestinians. The occupation is such a boring and tedious story, the making of a stupid government and wicked right-wingers. Clearly, we are not part of this madness.
A worldview so detached leads to many disappointments. So we are shocked to discover that the Palestinians hate us just as much as the hate the right-wingers, we are insulted when the reception clerk in a Spanish hotel lets a curse out behind our back, and cannot understand why an old rapper, who has seen a few things in his life, would tell us that, on second thought, Tel Aviv doesn’t suit him right now. What the hell? We blow a fuse. What’s the connection between the Barbie Club [a Tel Aviv nightclub] and the territories? After all, they are at least a 20 minutes car ride away!
To the credit of the Israeli Right one should say that it is much more consistent and well argued. From the Right’s perspective, these conflicts with the world are the price for our clinging to parts of our historical homeland and our survival in a hostile region. The Right doesn’t try to evade taking responsibility for sitting on top of Palestinians, and if someone, whether Obama or Scott Heron, doesn’t like it, there is no choice but to bite the bullet.
In contrast, “the enlightened camp” is busy with the endless theatrical performance of their moral difficulties, whose real purpose is to create a barrier between them and all those action for which they refuse to take responsibility. Thus, when the order arrives, the leftist climbs into the tank without a second thought, but later he will do an anguished film about it for the Cannes festival. Thus the obsessive persecution of settlers. Thus Tel Aviv behaves as if it were a Mediterranean suburb of London while in a spitting distance from it eastward and southward lies an immense jail holding millions of people without rights for over half a century.
The self-pity tops itself with the absurd claim that such cancellations will benefit the occupation, because they would discourage those most in favor of two states solution. As if the role the world is to caress Tel Aviv’s residents’ back until they draw the courage and convince the right, to please stop building villas on the hills of Samaria and abstain from kicking Palestinians out of their houses in East Jerusalem. Beyond the fact that this method has been completely discredited by history–the Israeli Left doesn’t even convince itself anymore–the theory doesn’t hold water: excited or depressed, these thousands of peace and love and music lovers do not show up in Bil’in or Sheikh Jarrah, whereas the few dozens of human rights activists who do go there are begging the world for a little international pressure to save Israel from itself.
A few years ago, the dynamics surrounding Roger Waters (ex Pink Floyd) visit’s to Israel recalls somewhat the current case. Waters didn’t boycott, but he said a few words about peace and ending the occupation. Immediately, a few of the “enlightened camp” ordered him to focus on the guitar and stop lecturing us. There is something really bizarre with our ability to sing about another brick in the wall while forgetting about the miserable Farmers whose fields are behind our wall. (As it is hard to understand Israelis who return from Berlin with “an original stone from the wall” when the improved local version stands for free in our living room.) Considering the deep disconnect between the Israelis and the protest anthems that they are humming, it seems that Scott-Heron did us a favor by reminding us that in a place where pregnant women give birth at checkpoints and people are locked in their houses, even music doesn’t cross borders.